Erenlai - 按標籤顯示項目: electronic music
週五, 07 六月 2013 14:57

No Nukes = No Future?


Photo by 廖培恩

Two years ago, our colleagues Nick and Zijie led a focus on the social activist scenes that were starting to revive after decades of silence. Things had changed a lot since 2011. The number of anti-nuclear protest participants has quadrupled from 50,000 in the April 30, 2011 demonstration to 200,000 in March 9 this year. Many subculture-oriented groups are forming at this moment to protest, through music and visual art, Taiwan's decision to build the 4th nuclear power plant, such as the the rave-oriented collective P.L.U.R.S. Thus, this month eRenlai decided to do a recap focus on what has been happening in the anti-nuclear moment, specifically on the March 9th demonstration earlier this year and the P.L.U.R.S. kids that organized the DJ truck in the parade.


週三, 29 五 2013 10:05

History of the Taiwanese Anti-nuclear Movement

Anti-nuclear demonstration on March 9, 2013 (Photo by 廖培恩)

Since the Fukushima nuclear disaster in March 11th, 2011 in Japan, the anti-nuclear protests in Taiwan have been more numerous than ever. The most recent street demonstration against the building of the 4th nuclear power plant in Taiwan has attracted 200,000 citizens to walk the streets (that's 4 times larger than the first anti-nuclear procession right after Fukushima and ten times larger than the first major anti-nuclear procession 2 decades ago). More important perhaps, is that for many young people in Taiwan, it was their first experience in participating in social activism.


週三, 29 五 2013 10:04

Recapturing Memories: Social Protests as a Way for Taiwanese Youth to Reconnect with the Past

In this video, Charlie speaks of electronic music as the language of a new generation in Taiwan and its effect in social protests. He also points out how the youth in Taiwan are engaging in social activism in part to recapture a memory that has been made blank for a few decades as a result of its turbulent political history.


週三, 29 五 2013 10:01

The Demonstrative Power of the Carnival: Fun as a Form of Protest

Photo by 廖培恩

In this video, Zijie recounts his first encounter of anti-nuclear awareness during the Ho-Haiyang rock music festival. Being the founding member of the anti-nuclear group NoNukes active around 2010-2011, he also goes over past experiences of incorporating rock music and electronic music into social protests. In the end of the interview he gives an interesting observation on the function of social protests.


週三, 29 五 2013 10:00

Art and Social Activism: Mutually Beneficial?

In this interview, Betty Apple attempts to delineate the different modes of interaction between art and social activism. In the end of the interview she reflects on the tension between her identity as a modern, solitary individual and and the collectivism that is required in social activism.


週五, 26 四月 2013 18:56

Peace, Love, Unity, Respect and Struggle: The Taiwanese Theatre of Party

In the following video Chen Xiaoqi, a theatre student at National Taiwan University of Arts, discusses the concept of rave parties both as a form of theatre and as a form of protest and how the interactive and decentred nature of parties affects the social aspect of the art of DJing. 


週五, 19 四月 2013 14:47

The Soundfarmers: Electronic Music Composes Anti-Nuclear Statement


In Dec 2012, A DJ collective called "Soundfarmers" from Taipei released an electronic music compilation "I Love Nuclear," which has been reviewed in Paul Farrelly's eRenlai article A Sonic Meltdown: A Review on "I Love Nuclear!?"

Listen to the concept behind the album. For more information, check out their website or buy the album on the Green Citizens' Action Alliance webstore.


週二, 18 十月 2011 00:00

Jam Apotheosis

After producing the CD of contemporary world music, eRenlai magazine facilitated three concerts with the participating artists in the compilation. A dozen or so different bands performed their music live to the joy of the audience. For this third and final performance, on September 16, the Tien Educational Center opened its doors to world music for the second time, and it was fitting surroundings, with sound system and lights ready to create an unforgettable night.

Viba and Claire Juan (Photo: C. Tuduri)

From the outset we were embraced by the presence of Viba, previously introduced to me as Paul, I didn’t recognize him and thought he was part of Orbit Folks since we were all on stage doing the sound setup before the concert. It was then I realized that the night was going to blend of different musical styles until the lights went out.

Viba presented his chillout-electronic-world beat on stage with singer Claire Juan. Doing this live requires a lot of talent and knowledge since Viba has a daunting setup of synthesizers, drum machines and one computer. A one-man band triggering crazy ambient samples and loops of smooth rhythms, more than appropriate to open the evening.

Orbit Folks were next on stage, with Martijn Vanbuel (double bass), Toshihiro Wakaike (Indian tabla) and Mike Zeng (piano) combining elements of jazz and tabla to bring us some outer space rhythms. There was an interesting contrast between the Folks and Viba, since their ensemble is completely acoustic whereas Viba is mostly electronic. The band's performance was impressive, all of their members have a strong musical background that was gently delivered to the audience. As in any other jazz concert they included a lot of improvisation showing their mastery of the instruments and preparing the ground for the next band. They played some of their songs like Anouar, Santur and Serenade composed by Martijn Vanbuel and Caravan (by Juan Tizol, arr. by Martijn Vanbuel) and Rahu (by Toshihiro Wakaike, arr. by Martijn).

Comprised of Louis Goldford (soprano sax) Lio Pinard (accordion), Martijn Vanbuel (piano), Kelvin Chuang (bass) and Weichung Lin (drums), Flâneur Daguerre were the next surprise, further raising the excitement in the same hall that once held Taiwan’s first absurdist theatre troupe. Their performance developed finely. I felt like there were fireworks shooting from the stage. The immersion of their music in complexity enabled the band to grab the attention of the audience at all moments. I would love to see this band again; in fact as I write this paragraph I am listening to the track Harvest Drums included in the CD.

The next performance was from Minkoku Hyakunen (Yingfan Huang and You-Sheng Zhang). These guys come from the school of noise and improvisation. They use sounds of all sorts as their source, in stark contrast to the previous bands' use of musical notes. Minkoku's highlight is their stage performance, full of gestures and symbols that are close to a theatrical set and bursting with interesting atmosphere. Their instruments come from temples, such as bells and cymbals in addition to other sound objects. The audience clearly expressed their gratitude at the end of their performance.

Up next was Fao, playing his "Mamba in Solitude" including sampled Chinese flutes, guqin (古琴), Indian tabla and electronic sounds permeating through the crowds. Fao is a Colombian composer searching for new sounds in Asia. We thoroughly enjoyed his piece since it is a mixture of Latin rhythms (such as cumbia) with Chinese instruments around an Amazonian ritual.

To close the night Fao, Louis Goldford and myself quickly schemed together a few guidelines to improvise on for the grand finale with the rest of the participating musicians. On stage we had tabla, two saxophones, guitar, electronics, piano, drums, double bass and more. This was the first time we had played together and it erupted into an explosion of excitement rippling through the whole theater, the perfect was to close this celebration of the meeting of cultures and music.

Overall the CD and the concerts were a success and this was an admirable gesture from Renlai to provide the infrastructure and vision to put this idea together and hopefully provide the building blocks for future world music development in Taiwan. I just hope this is not the last time it happens. Thanks to all the musicians who participated in the CD. And thanks too to the enthusiastic public who embraced this mixture of music.

Renlai Concert #3 - Part 1

Renlai Concert #3 - Part 2

Videos filmed and edited by Pinti Zheng


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Photos courtesy of Paul Moysan

 

 


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