Daring to Take Risks 勇於冒險
True wisdom helps us to take risks… True wisdom weighs the risks and shows us how to face them.Here is advice and experiences that will help you to decide when to take risks and how to survive them. An alternative cookbook for success!
Is it better to further one’s study or to immerse oneself in a job? This question often haunts the new graduate. On the one hand, they are thrilled by the opportunities that their freshly acquired diploma brings with it: entering adulthood, earning an income, testing their skills at something concrete, exercising responsibilities, even if such responsibilities are modest in scope… On the other hand, they realize that they do not know much yet, that they may earn a bigger salary within a few years if they master extra knowledge and become more competent, that holding a job might soon appear to her more boring or stressful than remaining a student… Deciding between Present and Future, between different kinds of gains and losses, and between different lifestyles is never easy, and can generate a lot of anxiety.
The new graduate may be comforted by a few thoughts:
- First, this choice is much less final and binding than was the case in the past. Today, there are a variety of bridges that allow one to go from study to work and from work to throughout one’s professional path. Therefore, it is practical and beneficial to keep one’s intellectual curiosity always intact, and to remain ready to sacrifice one’s immediate interest at some point in order to re-enter the path of study and research.
- Work can reactivate one’s thirst for knowledge and investigation. Often, students lose interest in knowledge and research because of the way they were taught in high school or in university. Their drive towards practical and intellectual knowledge is reactivated through the problems and challenges they meet in real life: the very fact of being surrounded by technical wonders, complex social mechanisms, injustices and moral dilemmas makes one formulate anew questions that have been agitating the human mind since it undertook to both understand and master the world (while doing so through very diverse knowledge systems…).
- New graduates may also be somehow comforted by the fact of knowing that finding the balance between study and work is a problem that plagues everyone until very late in life – till the end maybe: “Is it better for me to invest my energies into doing what I know I can do, and thus to be of immediate help to the people I care for and my family – or should I challenge myself to once again embark on the road of professional and intellectual improvement? And should I not chose to study and research just out of gratuitousness, whatever the advantages that come out of it?” Fortunately, the choice is not always so drastic, and professional life may offer time and resources for learning the trade and embarking on a progressive program of study.
So, finally, how is one to decide when confronted with such a choice? Basically, ask yourself how you feel about it. Is there in your heart a strong longing to go ahead on the road towards knowledge and research? Or does the idea of becoming someone active in society and receiving recognition for what you do reveal itself to be the most appealing choice for you right now? If you can answer this question peacefully and without too much hesitation, just follow the desire of your heart. If not… let the answer formulate itself within your inner self. It will do so naturally, if you can avoid to be too overtly anguished by it. But always remember: when working, protect and nurture the flame of intellectual curiosity. When studying, do not close yourself in an ivory tower, and remain burnt by the desire to share with others what you are researching. And do remain aware that life will often renew the challenge, and will ask you again and again to come up with your own answer…
Illustration by Bendu
After producing the CD of contemporary world music, eRenlai magazine facilitated three concerts with the participating artists in the compilation. A dozen or so different bands performed their music live to the joy of the audience. For this third and final performance, on September 16, the Tien Educational Center opened its doors to world music for the second time, and it was fitting surroundings, with sound system and lights ready to create an unforgettable night.
From the outset we were embraced by the presence of Viba, previously introduced to me as Paul, I didn’t recognize him and thought he was part of Orbit Folks since we were all on stage doing the sound setup before the concert. It was then I realized that the night was going to blend of different musical styles until the lights went out.
Orbit Folks were next on stage, with Martijn Vanbuel (double bass), Toshihiro Wakaike (Indian tabla) and Mike Zeng (piano) combining elements of jazz and tabla to bring us some outer space rhythms. There was an interesting contrast between the Folks and Viba, since their ensemble is completely acoustic whereas Viba is mostly electronic. The band's performance was impressive, all of their members have a strong musical background that was gently delivered to the audience. As in any other jazz concert they included a lot of improvisation showing their mastery of the instruments and preparing the ground for the next band. They played some of their songs like Anouar, Santur and Serenade composed by Martijn Vanbuel and Caravan (by Juan Tizol, arr. by Martijn Vanbuel) and Rahu (by Toshihiro Wakaike, arr. by Martijn).
Comprised of Louis Goldford (soprano sax) Lio Pinard (accordion), Martijn Vanbuel (piano), Kelvin Chuang (bass) and Weichung Lin (drums), Flâneur Daguerre were the next surprise, further raising the excitement in the same hall that once held Taiwan’s first absurdist theatre troupe. Their performance developed finely. I felt like there were fireworks shooting from the stage. The immersion of their music in complexity enabled the band to grab the attention of the audience at all moments. I would love to see this band again; in fact as I write this paragraph I am listening to the track Harvest Drums included in the CD.
Up next was Fao, playing his "Mamba in Solitude" including sampled Chinese flutes, guqin (古琴), Indian tabla and electronic sounds permeating through the crowds. Fao is a Colombian composer searching for new sounds in Asia. We thoroughly enjoyed his piece since it is a mixture of Latin rhythms (such as cumbia) with Chinese instruments around an Amazonian ritual.
Overall the CD and the concerts were a success and this was an admirable gesture from Renlai to provide the infrastructure and vision to put this idea together and hopefully provide the building blocks for future world music development in Taiwan. I just hope this is not the last time it happens. Thanks to all the musicians who participated in the CD. And thanks too to the enthusiastic public who embraced this mixture of music.
Renlai Concert #3 - Part 1
Renlai Concert #3 - Part 2
Videos filmed and edited by Pinti Zheng
You-sheng Zhang and Da-wang Huang met each other in 2010. Both of them had their own noise sound works circulating among their friends and on the internet. They got tired of most political news, especially those about so-called “100-year-old ROC”, so they decided to organize a duo and to disband it after this year (2011 is the hundred year of ROC). 民国百年, pronounced in Japanese “Minkoku Hyakunen”, doesn’t talk about politics but performs with some ideas of politics. No stable tempo and pleasant melody, only fools playing fool noise.
Meet Fao, one of the instigators of the Renlai World Music Compilation released in July 2011 with the issue #84 of the magazine.
I hail from Bogotá, Colombia and have been living in Taipei for two years now. I compose music in which I like to use contemporary elements, electronic generated sounds and traditional music from South America and Asia.
After teaching sound engineering in Colombia, I was able to save enough money to fulfill my goal to travel and learn traditional instruments from other parts of the world. I went first to Japan, where I did several collaborations with contemporary noise musicians and also got initiated to traditional Japanese music. Then I moved on to India to learn classical Indian tabla music, before finally arriving in Taiwan where I practice the guqin and Taichi.
We are very proud to finally present you with a CD that can be seen as a milestone in the production of world music in Taiwan. This collection of 12 songs is a wonderful, euphonic sample of the creativity and hard work of the bands and musicians who stepped forward to be a part of the project. We congratulate and give great thanks to all the gifted participating musicians.
This article has been adapted from S. Bozzato's research project on the National Palace Museum, "Like City Lights Receding: An assessment of the National Palace Museum Digitization Project."
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