As more foreign workers and students come to Taiwan, the role of women in nationalist narratives has undergone a shift towards conservatism, so this month we want to look at how ordinary women embrace or subvert the roles provided for them in the nationalist narratives and how these imposed roles affect the way women are imagined by men, women and the mainstream media. We first hear from a woman working in a sport to which Taiwanese attach a lot of their national pride, Liu Bojun talks about her experiences as a female baseball umpire; Witek and Zijie look behind the stereotype of the betelnut industry's betelnut girls, an image perpetuated by domestic and foreign press as a lewd representation of the "local", and see instead a devout Catholic aboriginal woman running a small family business; then Wafa Ghermani looks at the shifting modes of how Taiwanese women are represented in Taiwan's national film industry as more passive in the 2000s and 2010s in contrast to the stronger female role-models of the 1980s and 1990s; Conor has translated a short story from renowned short story writer and cultural critic, Lolita Hu, which gives us an unfamiliar perspective on the familiar scene of Western guys and Chinese girls meeting in a Beijing Night Club; the nationalist undertones that lie behind the term Xicanmei (referring to Asian girls who date Western guys) are explored in a conversation with several Taiwanese girls and a Western man, highlighting the term's function in undermining female identity; the lead singer of Taiwanese band 'The White Eyes' describes her experience as an unconventional female role model, and the fight against being side-lined as more woman than musician; Finally, Daniel has written two articles, one concerning the recent candicacy of Tsai Ing-wen for president, and the second about his perceptions of a gender imbalance in Taiwan and the reasons for this.

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| Written by : Conor Stuart Send a message to Conor Stuart |
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