Wafa Ghermani is currently a doctorate candidate in cinema studies (La Sorbonne and Lyon Universities). She focuses on the evolution of identities in Taiwanese film history since 1895 (the beginning of the Japanese colonial era) until today. She explains here how she delimited her field of research and gives some of its oultines while retracing for us briefly the timeline of cinema in Taiwan.
This is the trailer of the film I realized last summer.
"Clasping your consciousness
your back turned to the beast,
you hide in a dark, dank hole.
Wake before the rotting of the flesh,
Lin Poyer is a professor of anthropology at the University of Wyoming. Her recent work focuses on the Micronesian experience and history of the Pacific War, during the Japanese colonization and afterwards. In December 2011, she was invited to Taipei by the Taiwan Center for Pacific Studies to give a series of lectures presenting her research. We had the opportunity to meet her beforehand and learn about the impact of WWII in Micronesia and the specificities of its oral history in the region.
"Segments from two separate dreams create a beautiful moment shining through lucid shadows
Heading towards an unknown, far away destination, the people gradually disperse
In the dream, everyone has already passed away, gathered in the tranquil darkness;
when an object is stripped to its essence, the only thing we can see out from the darkness, is light
Dead branches protrude awkwardly from the lifeless beaches, yet sprout new roots
I hope you...
There are privileged moments when the breeze of the night...
The god San Wang Ye is originally from Tainan, a city around 300km south of Taipei, and he had arrived in Taipei a long time ago, so long ago that I don't remember!
I had been wondering for a long time what the temple in my street was all about: this small, unassuming, but well taken care of temple, that you can hardly see by day, but is always shining and often holds events at night. Some lanterns are usually hanging, a vague reminder that a god lives there. Day after day, I had made up stories of mafia and gangsters, of witches and weird spirits, stories of everything that could...
It is difficult to understand its style and meaning if one does not know that it belongs to a literary genre: the “apocalyptic genre”, which developed in the Jewish world around two centuries before the birth of Jesus and will still last for one more century after his death.
Writers of “apocalyptic books” intend to reveal to their readers the project of God: the coming of His Day, when His Kingdom will be definitely established on earth. They first look at the past of Israel, reflect with their readers...
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This month's Renlai
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- A Centre for the Middle Country
- No Nukes = No Future?
- Remembering the 309 Anti-nuclear Protest
- Alternative Protest in Japan: Two Years After Fukushima
- History of the Taiwanese Anti-nuclear Movement
- Recapturing Memories: Social Protests as a Way for Taiwanese Youth to Reconnect with the Past
- The Demonstrative Power of the Carnival: Fun as a Form of Protest
- Art and Social Activism: Mutually Beneficial?
- The Taiwanese Experience: Adjusting to life on the other side of the world
- The extraordinary challenge of living an ordinary life
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