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CEFC Files: National Identity in the History of Taiwanese Film

Identity and self-realization

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Wafa Ghermani is currently a doctorate candidate in cinema studies (La Sorbonne and Lyon Universities). She focuses on the evolution of identities in Taiwanese film history since 1895 (the beginning of the Japanese colonial era) until today. She explains here how she delimited her field of research and gives some of its oultines while retracing for us briefly the timeline of cinema in Taiwan.

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