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The experience of local culture and how it is absorbed is often a big source of inspiration for manga artists. The two artists in this section give us an insight into what growing up in Taiwan was like, and the perspective on the world that this granted them.

“For me, comic books are a means towards understanding others, they are also a way to allow others to know what I think.”

Ruan graduated in advertising design and interior architecture. He was an assistant designer for many years. In 1997, he published the comic book A Civilian-turned-President: Abian. 2009 was a big year for Ruan, since he won the first prize from GIO for his book Donghuachun Barbershop and he also published the comic book serial Spring at the Emergency Room online. Ruan depicts the lives of the lower classes of Taiwanese society in a touching manner, which flourish against a backdrop of flowers and plants, of bricks and tiles, strongly influenced by local traditions. The Taiwanese television has already acquired the rights to adapt and show Donghuachun Barbershop as a television program.

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Readers in Mainland China can watch it here

“Comic books give me a space for freedom of expression, drawing gives me a feeling of serenity.”

Sean Chuang has made more than 400 commercials since 1996. More than ten years ago, he wrote A Filmmaker’s notes, which was well received by the public thanks to its fresh and hip style. It launched Sean Chuang’s drawing career and it inspired him to write the bilingual graphic novel The Window. Passionate and dynamic, he spent ten years perfecting this masterpiece. In 2009 he won the GIO first prize with The Window. During the 10 years it took, Sean Chuang went through a rough spell and almost abandoned the project, but the prize gave him confidence. The story tells of the fate of a small town in the North struck by war. Afflicted by poverty, the numerous inhabitants of the village desert it, leaving behind children and the elderly. Totally without dialogue, there is no lack of passion in this colourful comic. As he always does, Sean Chuang continues to make films on the one hand, whilst on the other he focuses on writing comic books.

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Readers in Mainland China can watch it here

 

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