Trust me, I'm a DOCtor

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The Artisanship of Documentary

This year TIDF ran the DOCumentary DOCtor Workshop in view of its responsibility to improve the quality and spread of Taiwanese documentary film. With four European and Asian ‘DOCtors’ present, DOCDOC gave the opportunity to aspiring Taiwanese filmmakers to have their projects assessed and DOCtored by experts.

Finnish DOCtor Janne Niskala, began by praising all the film projects present for having very specific subjects. He said that people often make the mistake of thinking you must have general issues to make a good film: “In fact the smaller the subject, the better the film.” He was impressed that in observational tragicomic Say Sing (說唱), the director/cameraman had forged a really intimate relationship with his subjects, a Hip-hop band who sang in a local Yunnan dialect. While far from complete, it had a universal musical dream and great potential.

Korean Min Chul-kim, mentioned that there was still room for improvement on the lack of producer culture and knowledge. Nowadays an understanding of production is crucial if a film wants to reach a global market and one may need to exceed pure activism or journalistic reportage and include a degree of cinematic creation. As such, he praised the commercial TV potential of A Tunafish Eye (滿載).

Jean Perret feels that filmmaking needs to be “maintained as a handcraft” and requires artisanship “to reveal in every detail”. He talked of the film of a wagon in Siberia, 8 minutes of a wagon moving through the snow.Too many Taiwanese and Chinese documentaries he saw covered “important” or “moving” subjects but were in no way made as a film. There was a need for hybridization between documentary and creative cinema. Also, he felt there was not enough respect for global audiences, with subtitles that are translated, but not considered an art in their own right.


All the DOCtors agreed that filmmaking required meticulous detail in all areas from the first frame to the production and distribution and were thus impressed with these young directors for partaking in the competition where they could refine their skills and breathe new life into their documentaries.



Last modified on Friday, 18 April 2014 14:49
Nick Coulson (聶克)

I was born in sunny Torbay on the south western coast of England's green and pleasant lands. I'm prowling the streets, parks and ruins of Taiwan hunting for absurdities and studying the sociology of the underground. Furthermore with our nomadic arts and action space "The Hole" we attempt to challenge rigid and alienating structures.


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